Mockingjay (The Final Book of The Hunger Games) Read online

  "Nothing," I answer. "That's what my mother and sister will be hearing from me." Bad enough that we know we're heading back into a fully equipped arena. No use dropping it on our loved ones.

  "If she sees that holograph--" he begins.

  "She won't. It's classified information. It must be," I say. "Anyway, it's not like an actual Games. Any number of people will survive. We're just overreacting because--well, you know why. You still want to go, don't you?"

  "Of course. I want to destroy Snow as much as you do," he says.

  "It won't be like the others," I say firmly, trying to convince myself as well. Then the real beauty of the situation dawns on me. "This time Snow will be a player, too."

  Before we can continue, Haymitch appears. He wasn't at the meeting, isn't thinking of arenas but something else. "Johanna's back in the hospital."

  I assumed Johanna was fine, had passed her exam, but simply wasn't assigned to a sharpshooters' unit. She's wicked throwing an ax but about average with a gun. "Is she hurt? What happened?"

  "It was while she was on the Block. They try to ferret out a soldier's potential weaknesses. So they flooded the street," says Haymitch.

  This doesn't help. Johanna can swim. At least, I seem to remember her swimming around some in the Quarter Quell. Not like Finnick, of course, but none of us are like Finnick. "So?"

  "That's how they tortured her in the Capitol. Soaked her and then used electric shocks," says Haymitch. "In the Block she had some kind of flashback. Panicked, didn't know where she was. She's back under sedation." Finnick and I just stand there, as if we've lost the ability to respond. I think of the way Johanna never showers. How she forced herself into the rain like it was acid that day. I had attributed her misery to the morphling withdrawal.

  "You two should go see her. You're as close to friends as she's got," says Haymitch.

  That makes the whole thing worse. I don't really know what's between Johanna and Finnick. But I hardly know her. No family. No friends. Not so much as a token from 7 to set beside her regulation clothes in her anonymous drawer. Nothing.

  "I better go tell Plutarch. He won't be happy," Haymitch continues. "He wants as many victors as possible for the cameras to follow in the Capitol. Thinks it makes for better television."

  "Are you and Beetee going?" I ask.

  "As many young and attractive victors as possible," Haymitch corrects himself. "So, no. We'll be here."

  Finnick goes directly down to see Johanna, but I linger outside a few minutes until Boggs comes out. He's my commander now, so I guess he's the one to ask for any special favors. When I tell him what I want to do, he writes me a pass so that I can go to the woods during Reflection, provided I stay within sight of the guards. I run to my compartment, thinking to use the parachute, but it's so full of ugly memories. Instead, I go across the hall and take one of the white cotton bandages I brought from 12. Square. Sturdy. Just the thing.

  In the woods, I find a pine tree and strip handfuls of fragrant needles from the boughs. After making a neat pile in the middle of the bandage, I gather up the sides, give them a twist, and tie them tightly with a length of vine, making an apple-sized bundle.

  At the hospital room door, I watch Johanna for a moment, realize that most of her ferocity is in her abrasive attitude. Stripped of that, as she is now, there's only a slight young woman, her wide-set eyes fighting to stay awake against the power of the drugs. Terrified of what sleep will bring. I cross to her and hold out the bundle.

  "What's that?" she says hoarsely. Damp edges of her hair form little spikes over her forehead.

  "I made it for you. Something to put in your drawer." I place it in her hands. "Smell it."

  She lifts the bundle to her nose and takes a tentative sniff. "Smells like home." Tears flood her eyes.

  "That's what I was hoping. You being from Seven and all," I say. "Remember when we met? You were a tree. Well, briefly."

  Suddenly, she has my wrist in an iron grip. "You have to kill him, Katniss."

  "Don't worry." I resist the temptation to wrench my arm free.

  "Swear it. On something you care about," she hisses.

  "I swear it. On my life." But she doesn't let go of my arm.

  "On your family's life," she insists.

  "On my family's life," I repeat. I guess my concern for my own survival isn't compelling enough. She lets go and I rub my wrist. "Why do you think I'm going, anyway, brainless?"

  That makes her smile a little. "I just needed to hear it." She presses the bundle of pine needles to her nose and closes her eyes.

  The remaining days go by in a whirl. After a brief workout each morning, my squad's on the shooting range full-time in training. I practice mostly with a gun, but they reserve an hour a day for specialty weapons, which means I get to use my Mockingjay bow, Gale his heavy militarized one. The trident Beetee designed for Finnick has a lot of special features, but the most remarkable is that he can throw it, press a button on a metal cuff on his wrist, and return it to his hand without chasing it down.

  Sometimes we shoot at Peacekeeper dummies to become familiar with the weaknesses in their protective gear. The chinks in the armor, so to speak. If you hit flesh, you're rewarded with a burst of fake blood. Our dummies are soaked in red.

  It's reassuring to see just how high the overall level of accuracy is in our group. Along with Finnick and Gale, the squad includes five soldiers from 13. Jackson, a middle-aged woman who's Boggs's second in command, looks kind of sluggish but can hit things the rest of us can't even see without a scope. Farsighted, she says. There's a pair of sisters in their twenties named Leeg--we call them Leeg 1 and Leeg 2 for clarity--who are so similar in uniform, I can't tell them apart until I notice Leeg 1 has weird yellow flecks in her eyes. Two older guys, Mitchell and Homes, never say much but can shoot the dust off your boots at fifty yards. I see other squads that are also quite good, but I don't fully understand our status until the morning Plutarch joins us.

  "Squad Four-Five-One, you have been selected for a special mission," he begins. I bite the inside of my lip, hoping against hope that it's to assassinate Snow. "We have numerous sharpshooters, but rather a dearth of camera crews. Therefore, we've handpicked the eight of you to be what we call our 'Star Squad.' You will be the on-screen faces of the invasion."

  Disappointment, shock, then anger run through the group. "What you're saying is, we won't be in actual combat," snaps Gale.

  "You will be in combat, but perhaps not always on the front line. If one can even isolate a front line in this type of war," says Plutarch.

  "None of us wants that." Finnick's remark is followed by a general rumble of assent, but I stay silent. "We're going to fight."

  "You're going to be as useful to the war effort as possible," Plutarch says. "And it's been decided that you are of most value on television. Just look at the effect Katniss had running around in that Mockingjay suit. Turned the whole rebellion around. Do you notice how she's the only one not complaining? It's because she understands the power of that screen."

  Actually, Katniss isn't complaining because she has no intention of staying with the "Star Squad," but she recognizes the necessity of getting to the Capitol before carrying out any plan. Still, to be too compliant may arouse suspicion as well.

  "But it's not all pretend, is it?" I ask. "That'd be a waste of talent."

  "Don't worry," Plutarch tells me. "You'll have plenty of real targets to hit. But don't get blown up. I've got enough on my plate without having to replace you. Now get to the Capitol and put on a good show."

  The morning we ship out, I say good-bye to my family. I haven't told them how much the Capitol's defenses mirror the weapons in the arena, but my going off to war is awful enough on its own. My mother holds me tightly for a long time. I feel tears on her cheek, something she suppressed when I was slated for the Games. "Don't worry. I'll be perfectly safe. I'm not even a real soldier. Just one of Plutarch's televised puppets," I reassure her.

  Prim
walks me as far as the hospital doors. "How do you feel?"

  "Better, knowing you're somewhere Snow can't reach you," I say.

  "Next time we see each other, we'll be free of him," says Prim firmly. Then she throws her arms around my neck. "Be careful."

  I consider saying a final good-bye to Peeta, decide it would only be bad for both of us. But I do slip the pearl into the pocket of my uniform. A token of the boy with the bread.

  A hovercraft takes us to, of all places, 12, where a makeshift transportation area has been set up outside the fire zone. No luxury trains this time, but a cargo car packed to the limit with soldiers in their dark gray uniforms, sleeping with their heads on their packs. After a couple of days' travel, we disembark inside one of the mountain tunnels leading to the Capitol, and make the rest of the six-hour trek on foot, taking care to step only on a glowing green paint line that marks safe passage to the air above.

  We come out in the rebel encampment, a ten-block stretch outside the train station where Peeta and I made our previous arrivals. It's already crawling with soldiers. Squad 451 is assigned a spot to pitch its tents. This area has been secured for over a week. Rebels pushed out the Peacekeepers, losing hundreds of lives in the process. The Capitol forces fell back and have regrouped farther into the city. Between us lie the booby-trapped streets, empty and inviting. Each one will need to be swept of pods before we can advance.

  Mitchell asks about hoverplane bombings--we do feel very naked pitched out in the open--but Boggs says it's not an issue. Most of the Capitol's air fleet was destroyed in 2 or during the invasion. If it has any craft left, it's holding on to them. Probably so Snow and his inner circle can make a last-minute escape to some presidential bunker somewhere if needed. Our own hoverplanes were grounded after the Capitol's antiaircraft missiles decimated the first few waves. This war will be battled out on the streets with, hopefully, only superficial damage to the infrastructure and a minimum of human casualties. The rebels want the Capitol, just as the Capitol wanted 13.

  After three days, much of Squad 451 risks deserting out of boredom. Cressida and her team take shots of us firing. They tell us we're part of the disinformation team. If the rebels only shoot Plutarch's pods, it will take the Capitol about two minutes to realize we have the holograph. So there's a lot of time spent shattering things that don't matter, to throw them off the scent. Mostly we just add to the piles of rainbow glass that's been blown off the exteriors of the candy-colored buildings. I suspect they are intercutting this footage with the destruction of significant Capitol targets. Once in a while it seems a real sharpshooter's services are needed. Eight hands go up, but Gale, Finnick, and I are never chosen.

  "It's your own fault for being so camera-ready," I tell Gale. If looks could kill.

  I don't think they quite know what to do with the three of us, particularly me. I have my Mockingjay outfit with me, but I've only been taped in my uniform. Sometimes I use a gun, sometimes they ask me to shoot with my bow and arrows. It's as if they don't want to entirely lose the Mockingjay, but they want to downgrade my role to foot soldier. Since I don't care, it's amusing rather than upsetting to imagine the arguments going on back in 13.

  While I outwardly express discontent about our lack of any real participation, I'm busy with my own agenda. Each of us has a paper map of the Capitol. The city forms an almost perfect square. Lines divide the map into smaller squares, with letters along the top and numbers down the side to form a grid. I consume this, noting every intersection and side street, but it's remedial stuff. The commanders here are working off Plutarch's holograph. Each has a handheld contraption called a Holo that produces images like I saw in Command. They can zoom into any area of the grid and see what pods await them. The Holo's an independent unit, a glorified map really, since it can neither send nor receive signals. But it's far superior to my paper version.

  A Holo is activated by a specific commander's voice giving his or her name. Once it's working, it responds to the other voices in the squadron so if, say, Boggs were killed or severely disabled, someone could take over. If anyone in the squad repeats "nightlock" three times in a row, the Holo will explode, blowing everything in a five-yard radius sky-high. This is for security reasons in the event of capture. It's understood that we would all do this without hesitation.

  So what I need to do is steal Boggs's activated Holo and clear out before he notices. I think it would be easier to steal his teeth.

  On the fourth morning, Soldier Leeg 2 hits a mislabeled pod. It doesn't unleash a swarm of muttation gnats, which the rebels are prepared for, but shoots out a sunburst of metal darts. One finds her brain. She's gone before the medics can reach her. Plutarch promises a speedy replacement.

  The following evening, the newest member of our squad arrives. With no manacles. No guards. Strolling out of the train station with his gun swinging from the strap over his shoulder. There's shock, confusion, resistance, but 451 is stamped on the back of Peeta's hand in fresh ink. Boggs relieves him of his weapon and goes to make a call.

  "It won't matter," Peeta tells the rest of us. "The president assigned me herself. She decided the propos needed some heating up."

  Maybe they do. But if Coin sent Peeta here, she's decided something else as well. That I'm of more use to her dead than alive.

  PART III

  "THE ASSASSIN"

  19

  I've never really seen Boggs angry before. Not when I've disobeyed his orders or puked on him, not even when Gale broke his nose. But he's angry when he returns from his phone call with the president. The first thing he does is instruct Soldier Jackson, his second in command, to set up a two-person, round-the-clock guard on Peeta. Then he takes me on a walk, weaving through the sprawling tent encampment until our squad is far behind us.

  "He'll try and kill me anyway," I say. "Especially here. Where there are so many bad memories to set him off."

  "I'll keep him contained, Katniss," says Boggs.

  "Why does Coin want me dead now?" I ask.

  "She denies she does," he answers.

  "But we know it's true," I say. "And you must at least have a theory."

  Boggs gives me a long, hard look before he answers. "Here's as much as I know. The president doesn't like you. She never did. It was Peeta she wanted rescued from the arena, but no one else agreed. It made matters worse when you forced her to give the other victors immunity. But even that could be overlooked in view of how well you've performed."

  "Then what is it?" I insist.

  "Sometime in the near future, this war will be resolved. A new leader will be chosen," says Boggs.

  I roll my eyes. "Boggs, no one thinks I'm going to be the leader."

  "No. They don't," he agrees. "But you'll throw support to someone. Would it be President Coin? Or someone else?"

  "I don't know. I've never thought about it," I say.

  "If your immediate answer isn't Coin, then you're a threat. You're the face of the rebellion. You may have more influence than any other single person," says Boggs. "Outwardly, the most you've ever done is tolerated her."

  "So she'll kill me to shut me up." The minute I say the words, I know they're true.

  "She doesn't need you as a rallying point now. As she said, your primary objective, to unite the districts, has succeeded," Boggs reminds me. "These current propos could be done without you. There's only one last thing you could do to add fire to the rebellion."

  "Die," I say quietly.

  "Yes. Give us a martyr to fight for," says Boggs. "But that's not going to happen under my watch, Soldier Everdeen. I'm planning for you to have a long life."

  "Why?" This kind of thinking will only bring him trouble. "You don't owe me anything."

  "Because you've earned it," he says. "Now get back to your squad."

  I know I should feel appreciative of Boggs sticking his neck out for me, but really I'm just frustrated. I mean, how can I steal his Holo and desert now? Betraying him was complicated enough without this whole new
layer of debt. I already owe him for saving my life.

  Seeing the cause of my current dilemma calmly pitching his tent back at our site makes me furious. "What time is my watch?" I ask Jackson.

  She squints at me in doubt, or maybe she's just trying to get my face in focus. "I didn't put you in the rotation."

  "Why not?" I ask.

  "I'm not sure you could really shoot Peeta, if it came to it," she says.

  I speak up so the whole squad can hear me clearly. "I wouldn't be shooting Peeta. He's gone. Johanna's right. It'd be just like shooting another of the Capitol's mutts." It feels good to say something horrible about him, out loud, in public, after all the humiliation I've felt since his return.

  "Well, that sort of comment isn't recommending you either," says Jackson.

  "Put her in the rotation," I hear Boggs say behind me.

  Jackson shakes her head and makes a note. "Midnight to four. You're on with me."

  The dinner whistle sounds, and Gale and I line up at the canteen. "Do you want me to kill him?" he asks bluntly.

  "That'll get us both sent back for sure," I say. But even though I'm furious, the brutality of the offer rattles me. "I can deal with him."

  "You mean until you take off? You and your paper map and possibly a Holo if you can get your hands on it?" So Gale has not missed my preparations. I hope they haven't been so obvious to the others. None of them know my mind like he does, though. "You're not planning on leaving me behind, are you?" he asks.

  Up until this point, I was. But having my hunting partner to watch my back doesn't sound like a bad idea. "As your fellow soldier, I have to strongly recommend you stay with your squad. But I can't stop you from coming, can I?"

  He grins. "No. Not unless you want me to alert the rest of the army."

  Squad 451 and the television crew collect dinner from the canteen and gather in a tense circle to eat. At first I think that Peeta is the cause of the unease, but by the end of the meal, I realize more than a few unfriendly looks have been directed my way. This is a quick turnaround, since I'm pretty sure when Peeta appeared the whole team was concerned about how dangerous he might be, especially to me. But it's not until I get a phone call through to Haymitch that I understand.